Shostakovich Piano Sonata 2 Pdf

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• Shostakovich Piano Sonata 2 Pdf 1

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Shostakovich Piano Sonata 2 Pdf 1

The Archive service is for CDs which have been deleted and where the musical content is not otherwise available.(If a CD is scheduled for re-issue within the next 3-4 months, the message 'To be reissued on ' will replace the 'Buy Archive CD' button.)This service offers a production-quality CDR with printed label, inlay (tray) card and, at the minimum, a 2pp booklet (including cover artwork and complete track listing), packaged in a normal jewel case.In many instances we will provide complete printed booklets, but please note that this is not always the case. Pricing is £13.99 per CD, regardless of the original sale price of the disc(s). So far as the general musical public is concerned, the reputation of Dmitri Shostakovich as one of the twentieth century’s great masters rests principally upon his fifteen symphonies and fifteen string quartets, together with several of his concertos and a handful of other works. The Shostakovich specialist, however, will know that apart from these forty or so compositions there are another hundred or more which, the moment one begins to examine them, show this unique composer in a number of different guises.Shostakovich’s music exhibits a range of paradoxes which can be observed in an important, albeit comparatively small, part of his total output, his compositions for solo piano.

Shostakovich was himself a fine pianist: in 1927 he won a prize at the inaugural Chopin Piano Competition in Warsaw (playing the first Concertos of Tchaikovsky and Prokofiev); yet for all his evident ability he composed comparatively little for the piano. This is the first paradox—that of a composer who was also a pianist of high technical ability but who left a comparatively small output for the instrument; and although we can safely assume that his piano music is written with a deep knowledge of the instrument, within that output we find works which are world famous and others which have remained virtually unknown for decades.Shostakovich’s solo piano music is dominated by the 24 Preludes and Fugues which form his Opus 87 and which date from 1950 and 1951. They constitute virtually Shostakovich’s last word on the solo piano as a medium, the summation of his piano writing which began, so far as can be ascertained, about the middle of 1918, when he was approaching his twelfth birthday.Three short pieces for solo piano (the last unfinished) by Shostakovich were found amongst the papers of the Petrograd Conservatory Professor of piano Alexandra Rozanova, for whom Shostakovich had played in the spring of 1917 whilst still a pupil of Gnessin Music School. He entered the Conservatory in 1919, studying piano with Leonid Nikolayev (in whose memory he was to compose his Second Piano Sonata); a year later, 1920, he took his first lessons in composition with Maximilian Steinberg and began his acknowledged list of works, completing Eight Preludes for piano as his Opus 2, only five of which were published during his lifetime, and then not until 1966. Later, around 1920/21, Shostakovich wrote eight further Preludes to form part of a set of 24, the composition of the other sixteen being shared equally between two fellow students, Pavel Feldt and Georgi Klements. Like the Opus 2 set, these remained unknown until 1966 when five were published as a group.Three Fantastic Dances Op 5 (1922)Whilst it is tempting to imagine that these three brief pieces could have been the ‘lost’ three from the set of eight Preludes of the previous year, perhaps recomposed, the fact that they are genre—and not abstract—pieces disabuses such a view.

In addition, they exhibit far greater tonal freedom than the earlier pieces and are obviously the work of a more experienced composer—aged sixteen! Curiously, Shostakovich was reluctant to see these in print, also: they were not published until 1937 (although one source claims 1926 as the date of publication); the Dances did not appear in print in the USA until 1945.